picture by Yan Lerval

"John 5-21", Pencil on Calligraphy Paper, 2018 - Private Collection "At this very moment melancholy coagulated in his blood", Pencil on Calligraphy Paper, 2018 - courtesy Galerie Quynh "Mandragora Officinarum", China ink on calligraphy paper, 2018 - Private collection

views of the exhibition details of the installations untitled, mix media, variable size (2015) - detail untitled, mix media, variable size (2015) - detail untitled, mix media, variable size (2015) "Ronde de Midi", wood, inox, paint, sand, water, video animation, plexiglas sculpture (2015)

Perinthia, performance, 20', 2018 Direction and scenography: Sandrine Llouquet Dancer: Nguyen Minh Tam Drummer: Zach Schreier Performed at Krossing Over Festival (Galerie Quynh, Ho Chi Minh city - L'Etoile du Nord, Paris - Metaxu, Toulon)

untitled - pencil, watercolor, ink on paper - 40.5x30cm - 2015 (private collection ) untitled - pencil, watercolor, ink on paper - 40.5x30cm - 2015 (courtesy Galerie Quynh) The Wounded Healer 1 - pencil, watercolor, ink on paper - 40.5x30cm - 2015 (courtesy Galerie Quynh) The Wounded Healer 2 - pencil, watercolor, ink on paper - 40.5x30cm - 2015 (c

“The Cabinet of Dr Komo”, by Sandrine LlouquetKENPOKU ART 2016(Photos Keizo Kioku) For KENPOKU ART 2016, French artist Sandrine Llouquet conceived of an imaginary study of a Dutch doctor, a friend of the owner of Hozumike House. She researched the Kenpoku region, and inquired into various cultural aspects of the Edo period, including yokai (mon

" Chapitre 3: Les 101 Grandes Déesses ", by Sandrine Llouquet Le Point Commun, Espace d'Art Contemporain, Annecy, France (photos: Antony Leclerc) --- Ancient spiritual practices, esoteric rituals, re-imagined mythological imageries and religious behaviours have been at the centre of Sandrine Llouquet’s artmaking.For many years, the French artist

... Until April 6, 2019 at Galerie Quynh (www.galeriequynh.com) View of the exhibition (ground floor) view of the exhibition (3d room) Chapter 4: Days and Nights of Revolving Joy (...) Borrowing a line from The Four Zoas, an unfinished book of mythic poems by William Blake, the title reflects a continuous and elaborate journey of learning and disco

by Zelda Rudzitsky Greco-Roman ruins and imaginary masked characters set the stage for “Carne Vale,” the new exhibition by Nadege David and Sandrine Llouquet at Galerie Quynh. Upon entering Quynh’s downtown gallery, there is an initial, misleading similarity among the artwork: ink, watercolour, pencil and China ink are used on both the drawin

Sandrine Llouquet Visual artist Born, 1975 in Montpellier, France. Paris - 1993 - Nice - 1999 - Bordeaux - 2005 - Ho Chi Minh city - 2019 - Lisbon Lives and works in Lisbon, Portugal Miscellany September 2019 - September 2020 Grantee (Orient Foundation Research Grant) June 2016 - July 2019 Director of Salon Saigon - Heritage and Contemporary Arts,